I have friends who don't own a TV set. Suddenly confronted by the Grammy Awards telecast last night, I'm sure a few would hurl wreaths of garlic at the screen while making the Sign of the Cross.
And that would be the atheists.
As a writer, though, you gotta love it. A sure sign of societal degeneration is when more and more elements of the culture morph into a self-mocking parody, and the actors aren't in on the joke.
You can't make this stuff up.
I mean, really... Earth, Wind & Fire as the backup band for Ridiculous (or whatever his name is) and Mary Kay Bilge(sic) with her hairpiece on crooked.
Thank goodness she didn't win any more awards. She was about to give her next acceptance speech while speaking in tongues.
Most of the music stunk, a lot of it offered up by either never-will-be's or has-beens and in general not well-rehearsed. Some Low Lights: Rascal Flats 'honoring' The Eagles with a vapid, lifeless cover of Hotel California. A tribute to 'Soul' began behind the velvet smooth glory of Smokey Robinson and Lionel Richie, but ended with the farce of Chris Brown having some kind of fit onstage, flopping around aimlessly to a pre-recorded sound track. The Red Hot Chili Peppers mailed it in, Flea as always an annoying distraction. Carry Underwood sang like she was there because she won a popularity contest, hardly a surprise. Justin Timberlake should be working behind the counter at a Popeye's Chicken somewhere. Instead, against all odds, we are again haunted by the emotionless smirk of the 2001 Banality USA Poster Boy.
And, no... I'm not saying that just because of Scarlett Johansen.
It was so bad, during many of the candid shots into the audience, people were whispering to each other behind cupped hands and exchanging puzzled looks or shrugs.
There were a few goodies, notably Christine Aguillera belting on the James Brown classic, This is a Man's World , and the Dixie Chicks, a class act.
There was also an adequate dose of the awesome Shakira shim-shaking her incrediblecaboose, but that has little to do with music.
The show needed a host, a guide--someone to tell us how to make sense of it all, as if that were possible.
What does it mean, Jellybean? Is it merely an opportunity for public voyerism into the pitiful lives of the chronically overindulged? Is that all this is?
Oh.
I'm still going to buy records, or whatever they call them nowadays. There are people still making good music somewhere. We should find them.
